Two Australian sugarcane cutters spend their annual five-month vacations in Sydney with their mistresses.

Raquel's life takes a terrible turn when she finds herself held captive by Gregorio, a sculptor of living dolls, who presents his conceptions of beauty and complete submission.

Peter Matty a successful has his world is turned upside down when he meets the beautiful Phyllis Du Salle on a flight to London. Soon after she disappears, and Matty will stop at nothing to find her.

The custom of making motanka dolls is ancient, rich in myths and legends. There is a belief that they help their owner. The main character of the film is a 12-year-old teenage girl, she studies at an art school, but does not believe in her abilities and goes through a coming-of-age crisis with the help of a Slavic doll. By wrapping a doll, its owner goes through a certain stage of growing up and forms her inner world. The doll sometimes helps her cope with difficult situations, and sometimes it does the opposite.

Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.

In 1967 an expressive, colourful musical force painted a backdrop of social change, fashion, love, turmoil and war. The world remembers the Summer of Love in 1967 as one of those moments when a unique and creative explosion of music and popular culture arrived in the UK and USA.

A famous artist reflects on the summer when she turned 12, haunted by a trauma that she will overcome only through her art. Her rebellious creativity and fantasies clash with the gaze of adults who begin to consider her as a woman.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

One summer, Jay finds four chimps on the prairie who have fallen off a circus cart.

A frustrated actor travels to Spain in search of a playwright, a trip that unexpectedly binds him to a group of five previously unconnected people.